FLAC Maluma - F.A.M.E. [Qobuz Hi-Res 24bits/48.0kHz]

Discussion in 'Albums (lossless)' started by Danielo007, Dec 12, 2019.

  1. Danielo007

    Danielo007 Pure Audio Uploader V . I . P.

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    Description

    With 2015's Pretty Boy, Dirty Boy, Colombian reggatoñero Maluma began to shift his golden boy image to wade into the stream of the genre's embrace of slick urban grooves, securing a Latin Grammy nomination for the track "El Tiki" under the Best Urban Performance banner. With F.A.M.E., Maluma blurs the reggaeton line with a calculated collection of electronic, contemporary R&B, hip-hop, and Latin and Anglo pop. It's an outing that underlines his considerable vocal skills more than his public image; it's a welcome development, though based on several tunes here -- notably back-to-back radio-ready jams like the skittering "Corazón" (with Nego do Borel) and the midtempo dance ballad "El Prestamo" -- it's obvious he's been deeply influenced by Luis Fonsi and Daddy Yankee's monster hit "Despacito." (On the other hand, Maluma has always had a soft spot for acoustic steel-string instruments so the balanced reliance on them, as well as the inclusion of electronics, isn't new, it's just focused in a different direction.) Uncharacteristically, Maluma employs the Anglo tongue on three fine reggaeton jams -- "Hangover" (feat. Prince Royce), "I Like It," and "Unfollow" -- but given their musical makeup and production, that move is not so much a concession to Anglo culture as an erasure of already artificial linguistic pop borderlines. Check the way Maluma's musica urbano grooves meet vintage reggaeton in the killer "Condena," with his smooth, sweet, loverman delivery riding just above the beat. On the jagged "La Ex," a bilingual duet with Jason Derulo, reggaeton and dembow meet soul, while "Mi Declaracion," with Timbaland and Sid, is a Latin soul journey through bolero and layered, bumping reggaeton. "Marineo" is a gorgeous ballada romántica complete with sappy lyrics, but Maluma's steamy delivery gets them across. There are two versions of "Felices Los 4" to close the set. Up first is the blurry, blissed-out weave of contemporary R&B and sultry reggaeton kissed by guitars and basses; the latter is a grooving salsa version with Marc Anthony assisting. Ultimately, F.A.M.E. is the sound of Maluma branching out. While there are enough of his earlier sounds to keep the faithful listening, his songwriting restlessly explores new musical terrain. This set is an infectious, lavishly produced, richly textured outing from one of modern reggaeton's most provocative and compelling talents. ~ Thom Jurek

    ____________________________________________________________________________________________________________

    Artist : Maluma
    Album : F.A.M.E.
    Year : May 17, 2018
    Genre: Latin America Music
    Quality : Flac Hi-Res 24bits/48.0kHz
    Label: Released by Sony Music Latin
    Source : Qobuz
    Size : 634mb

    Tracklist

    01 Intro - F.A.M.E.
    02 Corazón
    03 El Préstamo
    04 Cuenta a Saldo
    05 Hangover
    06 Mi Declaración
    07 How I Like It
    08 Marinero
    09 Delincuente
    10 Condena
    11 Ojos Que No Ven
    12 La Ex
    13 Unfollow
    14 Felices los 4
    15 Felices los 4 (Salsa Version)

    Credits
    • 1 disc - 15 tracks - Total length: 50m 23s
    • Main artist: Maluma
    • Performers: Jorge Fonseca, A&R Coordinator - Chris Athens, Mastering Engineer - Maluma, MainArtist, AssociatedPerformer - Edgar Barrera, Composer, Lyricist, Piano, Recording Engineer - Kevin Mauricio Jiménez Londoño, Composer, Lyricist - Luis Barrera Jr., Mixing Engineer - Juan Luis Londoño Arias, Composer, Lyricist - Chan El Genio, Recording Engineer - Bryan Snaider Lezcano Chaverra, Composer, Lyricist - Kevin ADG & Chan El Genio "The Rude Boyz", Producer - Édgar Barrera "Edge", Producer
    • Label: Sony Music Latin
    • Genre: Musiques du monde, > Musiques du monde→Amérique latine
    • (P) 2018 Sony Music Entertainment US Latin LLC
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    Last edited: Oct 17, 2020
    fantasia, abanico, Mike74 and 21 others like this.
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