Mariah Carey Feat. Jermaine Dupri - Get Your Number [2005] (Official Video) v2 29.97fps 2160p 4k

The POWER of Video AI
ASUS ROG Astral GeForce RTX™ 5090, 32GB GDDR7, 512-bit
QTGMC *Placebo* (best de-interlace ever) to Deinterlace and cutting unwanted black borders and resize it to 480p (4:3).
Topaz v1.7.0.2.b Starlight Precise 2.6 x3, Smoothness #2.
Topaz Artemis Aliasing And Moire to increase resolution to 2160p with Recovery Details at 100, Denoise checked And Grain Amount 65, Grain Size 3.0, Grain Density 70.
Topaz Hyperion - HDR Transfer function PQ Adjust exposure 1.00 Boost Saturation 0.30 Highlight thresh. 0.70
Codec settings: Output type - Video, Codec - DNxHR, Profile - 444, Audio Mode - Copy, Container - Mov. (For Every Topaz Steps).
Then with the result Handbrake to make it from MOV to MP4 bitrate 12.000 (best quality options setting Handbrake).
Then VideoReDo - FINAL STEP.

Mariah Carey Feat. Jermaine Dupri - Get Your Number [2005] (Official Video) v2 2160p 4k

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Spoiler: MediaInfo

General
Complete name : Mariah Carey Live Videos\Mariah Carey Feat. Jermaine Dupri - Get Your Number [2005] (Official Video) v2 2160p 4k.mp4
Format : MPEG-4
Format profile : Base Media
Codec ID : isom (isom/iso2/avc1/mp41)
File size : 288 MiB
Duration : 3 min 16 s
Overall bit rate mode : Variable
Overall bit rate : 12.3 Mb/s
Frame rate : 29.970 FPS
Writing application : VideoReDo (Lavf58.29.100)

Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L4.2
Format settings : CABAC / 1 Ref Frames
Format settings, CABAC : Yes
Format settings, Reference : 1 frame
Codec ID : avc1
Codec ID/Info : Advanced Video Coding
Duration : 3 min 16 s
Bit rate : 11.9 Mb/s
Width : 2 880 pixels
Height : 2 160 pixels
Display aspect ratio : 4:3
Frame rate mode : Constant
Frame rate : 29.970 (30000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.064
Stream size : 279 MiB (97%)
Color range : Limited
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709
Codec configuration box : avcC

Audio
ID : 2
Format : AAC LC
Format/Info : Advanced Audio Codec Low Complexity
Codec ID : mp4a-40-2
Duration : 3 min 16 s
Duration_LastFrame : -21 ms
Bit rate mode : Variable
Bit rate : 384 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 46.875 FPS (1024 SPF)
Compression mode : Lossy
Stream size : 8.91 MiB (3%)
Language : English
Default : Yes
Alternate group : 1

Mariah Carey Feat. Jermaine Dupri - Get Your Number [2005] (Official Video) 480i-sd (Vob Source)

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Much better now! Thank you

 

Thanks

 

All right amigo, Thanks / Obrigadão

 

thanks

 

@CiprianMau21 is better, looks smooth and no compression artifacts now, you even tried to do the color transfer but is more complicated than that, you just tagged the metadata with :
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709

doing the transfer from bt601 to bt709 changes the color matrix, maybe Topaz can't do that , you added bt709 metadata with VideoReDo or handbrake ?

 

Yes. I changed the color matrix from
Color primaries : BT.2020
Transfer characteristics : PQ
Matrix coefficients : BT.2020 non-constant
ColorSpace_Original : RGB
to BT.709 with Handbrake. But it is still an improvement on the previous release.

 

I've scanned the source with ffmpeg -i "Mariah Carey Feat. Jermaine Dupri - Get Your Number [2005] (Official Video) 480i-sd.vob" -filter:v idet -an -f null -
and the source video uses the SMPTE 170M (BT.601 NTSC) color matrix. as you want it too look right in 4k

BT.2020 = 4K HDR
BT.709 = 4K SDR

to be honest this is mostly visible on reds, they look more orange, if you don't watch them on bright display's (high gamma) you won't notice, changing the metadata is not going to change the colors, only tell the player what color matrix it is not it will look the same.

 

Y

Yes. Thanks for the advice. Handbrake MP4 x264 8-bit changes the colour even if you set it to BT.2020. I’ve now tried Handbrake MP4 x264 10-bit and everything is as it should be. You learn something new every day. Thank you.

 

thanks

 

Thank you

 

Thankss

 

This Is Amazing The Details I Also Have A 1080p On Demand Source Of Don't Forget About Us If You Would Love To Upscale It❤️ Thankss

 

I prefer x264 10-bit, I do all my encodes in x264 10-bit but keep in mind that smart tv's won't play these files, is not supported by hardware decoders.

 

Ok. But how can i do it from Topaz MOV to MP4 x264 8 bits without loosing the quality and without loosing the colour BT.2020 ? Thanks.

 

I never used topaz but judging by the steps you make you do at least one step extra and because you don't know the encoder settings, you use presets from handbrake and VideoReDo. The presets from handbrake are mostly for web distribution (uploading to YouTube) and VideoReDo defaults are for fast processing, not quality. I don't understand your logic.

if it was me I'd use topaz and tweak the video from there and export to ProRes 4:2:2, not DNxHR (if the source is not 4:4:4 you're not adding that detail, just wasting space on large files), then because of the big file size 4+GB for 1080p, maybe 4 times larger for 4k. Then I'd transcode that (.mov ProRes 4:2:2) with Shutter Encoder or in your case Handbrake or VideoReDo to h264 10bit 4:2:0 crf 18 preset slow, and that would give me a mp4 file about 500-1000MB depending on the frame size, grain of the video and complexity of movement, lenght....
I have no clue why you use bout Handbrake and VideoReDo, they can do the same thing.


Or if topaz can export h264 and you just want that and don't keep the large file export to that , .mov and .mp4 are just containers, most of video codecs can be encapsulated in .mov or .mp4 containers , you can have prores inside a mp4, mov, mkv , same with h264 h265, vp9...etc

tell me what you actually want to do ? have a 200-400MB h264 mp4 ? or best quality, or fast encode, i don't know...

 

I want to make the best quality, for every Upscale 2160p 4k i make, for me the size of the final result dosen't matter. I use Topaz DNxHR 444 MOV because i tested every codecs and DNxHR it gives the best results when you make Upscales videos.

I use VideoReDo because, usually, when I upscaling 2160p to 4K, I don’t process the whole video in one go; instead, I split it into halves or three parts (I don’t like leaving the graphics card running for 4–5 hours doing a relatively heavy task) and then combine these parts into a single file, but only after converting them from MOV to MP4 using Handbrake.

 

thanks

 

oooh, so you split the video in multiple parts with VideoReDo, then upscale with topaz, then convert them to h264 with Handbrake then stich those mp4 back with VideoReDo ?

That's insane! you can skip handbrake and just use VideoReDo. or even simpler use avidemux and do the cuts at keyframes, then upscale with topaz, then add the upscaled files one by one in avidemux and then encode to the final file.


Or you can go the more "semi pro" route and use Shutter Encoder but that's a bit more complex, you can split ,merge, encode...all the steps you need but Avidemux si simpler, is up to you.

 

Let's see...