FLAC The Weeknd - Starboy [HIGHRESAUDIO HRA 24bits/44.1kHz]

Thura Aung Kyaw · Mar 12, 2020

Thanks

gavinlikesmusic · Mar 12, 2020

Danielo007 said: ↑

Info for Starboy

Third studio album from the Canadian artist. Featuring the singles 'Starboy', 'I Feel It Coming' and 'Party Monster', this release debuted in the UK Albums Chart at #5.

The Weeknd s last album, 2015 s Beauty Behind The Madness recently received an RIAA triple-platinum certification for cumulative sales in excess of 3 million. Off one album, he received 16 RIAA certifications from tracks alone with The Hills [7x-platinum], Can t Feel My Face [5x-platinum], Often [2x-platinum], In The Night [platinum], and Acquainted [platinum]. Upon its debut, the record held #1 on the Billboard Top 200 for three consecutive weeks. Throughout this incredible journey, THE WEEKND became the First Male to Simultaneously Top Billboard s Hot 100, Top 200, and Artist 100, the First Artist to Ever Simultaneously Hold Top 3 Slots on Billboard s R&B Chart, and the First Artist Ever Recorded By Mediabase to Cross 300 Million in Audience Within One Week.

The album proved ubiquitous at radio. Can t Feel My Face peaked at #1 on Top 40, reaching an audience of 4.19 Billion. Earned It (Fifty Shades of Grey) also went to #1, playing to an audience of 4.2 Billion, while The Hills landed at #2 and hit an audience of 3.69 Billion. Cumulatively, the audience exceeds 14.6 Billion-plus for songs from Beauty Behind The Madness.

Fans, critics, and the industry at large have recognized this inimitable talent. He took home two GRAMMY Awards® [ Best Urban Contemporary Album for Beauty Behind The Madness and Best R&B Performance for Earned It (Fifty Shades of Grey) ] out of seven nominations. He won eight Billboard Music Awards including Top 100 Artist, Top R&B Artist, Top R&B Album for Beauty Behind The Madness, Top R&B Song for The Hills, Top Song Sales, Top Radio Songs, Top Streaming Songs, and Top Streaming Song (Audio) for The Hills. Earned It (Fifty Shades of Grey) even garnered THE WEEKND his first ever Academy Award® nomination in the category of Best Original Song.

„The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement. He notes the absurdity in taking a "kids' show" award for "Can't Feel My Face," in which he was "talkin' 'bout a face numbin' off a bag of blow." The track actually lost to Adele's "Hello," but it clearly, somewhat comically, reached an unintended demographic. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He sings of being a "Starboy" with access to a fleet of sports cars, but he's a "motherfuckin' starboy," one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life -- from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and "Can't Feel My Face" producers Max Martin and Ali Payami (four) -- the dark moments of vulnerability are pitch black. Lines like "I switch up my cup, I kill any pain" could have come from Tesfaye's mixtape debut, yet there are new levels of torment. In "Ordinary Life," he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. It's followed with "Nothing Without You," a ballad of toxic dysfunction. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's not all dread and depravity. There's some sense of joy in a one-night stand, and an echo of "Say Say Say" Michael Jackson, on the Luomo-ish house track "Rockin'." Contrition is shown in the slick retro-modern disco-funk of "A Lonely Night." Ironically enough, in the aching "True Colors," Tesfaye sounds a little insecure about a lover's past. The album's lighter, comparatively sweeter parts -- the Tears for Fears-sampling/Romantics-referencing "Secrets" and the breezy and only slightly devilish "I Feel It Coming" among them -- are all welcome highlights. At 18 tracks, the album is a "contracted edition" playlist toolkit. The songwriting credits list just under 40 composers, and the productions -- the majority of which involve Doc McKinney and/or Cirkut, low-lighted by maneater dance-punk dud "False Alarm" -- are roughly as variable in style as they are in quality. When pared down to its ten best songs, Starboy sounds like Tesfaye's most accomplished work.“ (Andy Kellman, AMG)
________________________________________________________________________________

Artist : The Weeknd
Album : Starboy
Year: 21.03.2017
Genre: R&B
Composer: Various
Quality : Flac HRA 24bits/44.1kHz
Label: Republic
Source : highresaudio
Size : 797mb

Tracklist:

01 Starboy
02 Party Monster
03 False Alarm
04 Reminder
05 Rockin’
06 Secrets
07 True Colors
08 Stargirl Interlude
09 Sidewalks
10 Six Feet Under
11 Love To Lay
12 A Lonely Night
13 Attention
14 Ordinary Life
15 Nothing Without You
16 All I Know
17 Die For You
18 I Feel It Coming

Download Link:***Hidden content cannot be quoted.***

Password:***Hidden content cannot be quoted.***
Click to expand...

thanks

IEA · Mar 12, 2020

Nice!

cosmicc · Mar 17, 2020

thanks

D4C · Mar 17, 2020

Danielo007 said: ↑

Info for Starboy

Third studio album from the Canadian artist. Featuring the singles 'Starboy', 'I Feel It Coming' and 'Party Monster', this release debuted in the UK Albums Chart at #5.

The Weeknd s last album, 2015 s Beauty Behind The Madness recently received an RIAA triple-platinum certification for cumulative sales in excess of 3 million. Off one album, he received 16 RIAA certifications from tracks alone with The Hills [7x-platinum], Can t Feel My Face [5x-platinum], Often [2x-platinum], In The Night [platinum], and Acquainted [platinum]. Upon its debut, the record held #1 on the Billboard Top 200 for three consecutive weeks. Throughout this incredible journey, THE WEEKND became the First Male to Simultaneously Top Billboard s Hot 100, Top 200, and Artist 100, the First Artist to Ever Simultaneously Hold Top 3 Slots on Billboard s R&B Chart, and the First Artist Ever Recorded By Mediabase to Cross 300 Million in Audience Within One Week.

The album proved ubiquitous at radio. Can t Feel My Face peaked at #1 on Top 40, reaching an audience of 4.19 Billion. Earned It (Fifty Shades of Grey) also went to #1, playing to an audience of 4.2 Billion, while The Hills landed at #2 and hit an audience of 3.69 Billion. Cumulatively, the audience exceeds 14.6 Billion-plus for songs from Beauty Behind The Madness.

Fans, critics, and the industry at large have recognized this inimitable talent. He took home two GRAMMY Awards® [ Best Urban Contemporary Album for Beauty Behind The Madness and Best R&B Performance for Earned It (Fifty Shades of Grey) ] out of seven nominations. He won eight Billboard Music Awards including Top 100 Artist, Top R&B Artist, Top R&B Album for Beauty Behind The Madness, Top R&B Song for The Hills, Top Song Sales, Top Radio Songs, Top Streaming Songs, and Top Streaming Song (Audio) for The Hills. Earned It (Fifty Shades of Grey) even garnered THE WEEKND his first ever Academy Award® nomination in the category of Best Original Song.

„The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement. He notes the absurdity in taking a "kids' show" award for "Can't Feel My Face," in which he was "talkin' 'bout a face numbin' off a bag of blow." The track actually lost to Adele's "Hello," but it clearly, somewhat comically, reached an unintended demographic. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He sings of being a "Starboy" with access to a fleet of sports cars, but he's a "motherfuckin' starboy," one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life -- from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and "Can't Feel My Face" producers Max Martin and Ali Payami (four) -- the dark moments of vulnerability are pitch black. Lines like "I switch up my cup, I kill any pain" could have come from Tesfaye's mixtape debut, yet there are new levels of torment. In "Ordinary Life," he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. It's followed with "Nothing Without You," a ballad of toxic dysfunction. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's not all dread and depravity. There's some sense of joy in a one-night stand, and an echo of "Say Say Say" Michael Jackson, on the Luomo-ish house track "Rockin'." Contrition is shown in the slick retro-modern disco-funk of "A Lonely Night." Ironically enough, in the aching "True Colors," Tesfaye sounds a little insecure about a lover's past. The album's lighter, comparatively sweeter parts -- the Tears for Fears-sampling/Romantics-referencing "Secrets" and the breezy and only slightly devilish "I Feel It Coming" among them -- are all welcome highlights. At 18 tracks, the album is a "contracted edition" playlist toolkit. The songwriting credits list just under 40 composers, and the productions -- the majority of which involve Doc McKinney and/or Cirkut, low-lighted by maneater dance-punk dud "False Alarm" -- are roughly as variable in style as they are in quality. When pared down to its ten best songs, Starboy sounds like Tesfaye's most accomplished work.“ (Andy Kellman, AMG)
________________________________________________________________________________

Artist : The Weeknd
Album : Starboy
Year: 21.03.2017
Genre: R&B
Composer: Various
Quality : Flac HRA 24bits/44.1kHz
Label: Republic
Source : highresaudio
Size : 797mb

Tracklist:

01 Starboy
02 Party Monster
03 False Alarm
04 Reminder
05 Rockin’
06 Secrets
07 True Colors
08 Stargirl Interlude
09 Sidewalks
10 Six Feet Under
11 Love To Lay
12 A Lonely Night
13 Attention
14 Ordinary Life
15 Nothing Without You
16 All I Know
17 Die For You
18 I Feel It Coming

Download Link:***Hidden content cannot be quoted.***

Password:***Hidden content cannot be quoted.***
Click to expand...

thank you

fan0817 · Mar 19, 2020

thanks for sharing

omar1564 · Mar 26, 2020

Danielo007 said: ↑

Info for Starboy

Third studio album from the Canadian artist. Featuring the singles 'Starboy', 'I Feel It Coming' and 'Party Monster', this release debuted in the UK Albums Chart at #5.

The Weeknd s last album, 2015 s Beauty Behind The Madness recently received an RIAA triple-platinum certification for cumulative sales in excess of 3 million. Off one album, he received 16 RIAA certifications from tracks alone with The Hills [7x-platinum], Can t Feel My Face [5x-platinum], Often [2x-platinum], In The Night [platinum], and Acquainted [platinum]. Upon its debut, the record held #1 on the Billboard Top 200 for three consecutive weeks. Throughout this incredible journey, THE WEEKND became the First Male to Simultaneously Top Billboard s Hot 100, Top 200, and Artist 100, the First Artist to Ever Simultaneously Hold Top 3 Slots on Billboard s R&B Chart, and the First Artist Ever Recorded By Mediabase to Cross 300 Million in Audience Within One Week.

The album proved ubiquitous at radio. Can t Feel My Face peaked at #1 on Top 40, reaching an audience of 4.19 Billion. Earned It (Fifty Shades of Grey) also went to #1, playing to an audience of 4.2 Billion, while The Hills landed at #2 and hit an audience of 3.69 Billion. Cumulatively, the audience exceeds 14.6 Billion-plus for songs from Beauty Behind The Madness.

Fans, critics, and the industry at large have recognized this inimitable talent. He took home two GRAMMY Awards® [ Best Urban Contemporary Album for Beauty Behind The Madness and Best R&B Performance for Earned It (Fifty Shades of Grey) ] out of seven nominations. He won eight Billboard Music Awards including Top 100 Artist, Top R&B Artist, Top R&B Album for Beauty Behind The Madness, Top R&B Song for The Hills, Top Song Sales, Top Radio Songs, Top Streaming Songs, and Top Streaming Song (Audio) for The Hills. Earned It (Fifty Shades of Grey) even garnered THE WEEKND his first ever Academy Award® nomination in the category of Best Original Song.

„The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement. He notes the absurdity in taking a "kids' show" award for "Can't Feel My Face," in which he was "talkin' 'bout a face numbin' off a bag of blow." The track actually lost to Adele's "Hello," but it clearly, somewhat comically, reached an unintended demographic. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He sings of being a "Starboy" with access to a fleet of sports cars, but he's a "motherfuckin' starboy," one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life -- from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and "Can't Feel My Face" producers Max Martin and Ali Payami (four) -- the dark moments of vulnerability are pitch black. Lines like "I switch up my cup, I kill any pain" could have come from Tesfaye's mixtape debut, yet there are new levels of torment. In "Ordinary Life," he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. It's followed with "Nothing Without You," a ballad of toxic dysfunction. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's not all dread and depravity. There's some sense of joy in a one-night stand, and an echo of "Say Say Say" Michael Jackson, on the Luomo-ish house track "Rockin'." Contrition is shown in the slick retro-modern disco-funk of "A Lonely Night." Ironically enough, in the aching "True Colors," Tesfaye sounds a little insecure about a lover's past. The album's lighter, comparatively sweeter parts -- the Tears for Fears-sampling/Romantics-referencing "Secrets" and the breezy and only slightly devilish "I Feel It Coming" among them -- are all welcome highlights. At 18 tracks, the album is a "contracted edition" playlist toolkit. The songwriting credits list just under 40 composers, and the productions -- the majority of which involve Doc McKinney and/or Cirkut, low-lighted by maneater dance-punk dud "False Alarm" -- are roughly as variable in style as they are in quality. When pared down to its ten best songs, Starboy sounds like Tesfaye's most accomplished work.“ (Andy Kellman, AMG)
________________________________________________________________________________

Artist : The Weeknd
Album : Starboy
Year: 21.03.2017
Genre: R&B
Composer: Various
Quality : Flac HRA 24bits/44.1kHz
Label: Republic
Source : highresaudio
Size : 797mb

Tracklist:

01 Starboy
02 Party Monster
03 False Alarm
04 Reminder
05 Rockin’
06 Secrets
07 True Colors
08 Stargirl Interlude
09 Sidewalks
10 Six Feet Under
11 Love To Lay
12 A Lonely Night
13 Attention
14 Ordinary Life
15 Nothing Without You
16 All I Know
17 Die For You
18 I Feel It Coming

Download Link:***Hidden content cannot be quoted.***

Password:***Hidden content cannot be quoted.***
Click to expand...

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wljumper · Mar 26, 2020

muito obrigado brooow!!!

shady aymen · Mar 26, 2020

thanks

sutanshu · Mar 28, 2020

S

Danielo007 said: ↑

Info for Starboy

Third studio album from the Canadian artist. Featuring the singles 'Starboy', 'I Feel It Coming' and 'Party Monster', this release debuted in the UK Albums Chart at #5.

The Weeknd s last album, 2015 s Beauty Behind The Madness recently received an RIAA triple-platinum certification for cumulative sales in excess of 3 million. Off one album, he received 16 RIAA certifications from tracks alone with The Hills [7x-platinum], Can t Feel My Face [5x-platinum], Often [2x-platinum], In The Night [platinum], and Acquainted [platinum]. Upon its debut, the record held #1 on the Billboard Top 200 for three consecutive weeks. Throughout this incredible journey, THE WEEKND became the First Male to Simultaneously Top Billboard s Hot 100, Top 200, and Artist 100, the First Artist to Ever Simultaneously Hold Top 3 Slots on Billboard s R&B Chart, and the First Artist Ever Recorded By Mediabase to Cross 300 Million in Audience Within One Week.

The album proved ubiquitous at radio. Can t Feel My Face peaked at #1 on Top 40, reaching an audience of 4.19 Billion. Earned It (Fifty Shades of Grey) also went to #1, playing to an audience of 4.2 Billion, while The Hills landed at #2 and hit an audience of 3.69 Billion. Cumulatively, the audience exceeds 14.6 Billion-plus for songs from Beauty Behind The Madness.

Fans, critics, and the industry at large have recognized this inimitable talent. He took home two GRAMMY Awards® [ Best Urban Contemporary Album for Beauty Behind The Madness and Best R&B Performance for Earned It (Fifty Shades of Grey) ] out of seven nominations. He won eight Billboard Music Awards including Top 100 Artist, Top R&B Artist, Top R&B Album for Beauty Behind The Madness, Top R&B Song for The Hills, Top Song Sales, Top Radio Songs, Top Streaming Songs, and Top Streaming Song (Audio) for The Hills. Earned It (Fifty Shades of Grey) even garnered THE WEEKND his first ever Academy Award® nomination in the category of Best Original Song.

„The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement. He notes the absurdity in taking a "kids' show" award for "Can't Feel My Face," in which he was "talkin' 'bout a face numbin' off a bag of blow." The track actually lost to Adele's "Hello," but it clearly, somewhat comically, reached an unintended demographic. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He sings of being a "Starboy" with access to a fleet of sports cars, but he's a "motherfuckin' starboy," one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life -- from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and "Can't Feel My Face" producers Max Martin and Ali Payami (four) -- the dark moments of vulnerability are pitch black. Lines like "I switch up my cup, I kill any pain" could have come from Tesfaye's mixtape debut, yet there are new levels of torment. In "Ordinary Life," he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. It's followed with "Nothing Without You," a ballad of toxic dysfunction. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's not all dread and depravity. There's some sense of joy in a one-night stand, and an echo of "Say Say Say" Michael Jackson, on the Luomo-ish house track "Rockin'." Contrition is shown in the slick retro-modern disco-funk of "A Lonely Night." Ironically enough, in the aching "True Colors," Tesfaye sounds a little insecure about a lover's past. The album's lighter, comparatively sweeter parts -- the Tears for Fears-sampling/Romantics-referencing "Secrets" and the breezy and only slightly devilish "I Feel It Coming" among them -- are all welcome highlights. At 18 tracks, the album is a "contracted edition" playlist toolkit. The songwriting credits list just under 40 composers, and the productions -- the majority of which involve Doc McKinney and/or Cirkut, low-lighted by maneater dance-punk dud "False Alarm" -- are roughly as variable in style as they are in quality. When pared down to its ten best songs, Starboy sounds like Tesfaye's most accomplished work.“ (Andy Kellman, AMG)
________________________________________________________________________________

Artist : The Weeknd
Album : Starboy
Year: 21.03.2017
Genre: R&B
Composer: Various
Quality : Flac HRA 24bits/44.1kHz
Label: Republic
Source : highresaudio
Size : 797mb

Tracklist:

01 Starboy
02 Party Monster
03 False Alarm
04 Reminder
05 Rockin’
06 Secrets
07 True Colors
08 Stargirl Interlude
09 Sidewalks
10 Six Feet Under
11 Love To Lay
12 A Lonely Night
13 Attention
14 Ordinary Life
15 Nothing Without You
16 All I Know
17 Die For You
18 I Feel It Coming

Download Link:***Hidden content cannot be quoted.***

Password:***Hidden content cannot be quoted.***
Click to expand...

Weet

random · Mar 29, 2020

thanks

redot5 · Mar 29, 2020

Thanks

Anang Setiadyy · Mar 30, 2020

Thanks

falmejrad · Mar 30, 2020

Danielo007 said: ↑

Info for Starboy

Third studio album from the Canadian artist. Featuring the singles 'Starboy', 'I Feel It Coming' and 'Party Monster', this release debuted in the UK Albums Chart at #5.

The Weeknd s last album, 2015 s Beauty Behind The Madness recently received an RIAA triple-platinum certification for cumulative sales in excess of 3 million. Off one album, he received 16 RIAA certifications from tracks alone with The Hills [7x-platinum], Can t Feel My Face [5x-platinum], Often [2x-platinum], In The Night [platinum], and Acquainted [platinum]. Upon its debut, the record held #1 on the Billboard Top 200 for three consecutive weeks. Throughout this incredible journey, THE WEEKND became the First Male to Simultaneously Top Billboard s Hot 100, Top 200, and Artist 100, the First Artist to Ever Simultaneously Hold Top 3 Slots on Billboard s R&B Chart, and the First Artist Ever Recorded By Mediabase to Cross 300 Million in Audience Within One Week.

The album proved ubiquitous at radio. Can t Feel My Face peaked at #1 on Top 40, reaching an audience of 4.19 Billion. Earned It (Fifty Shades of Grey) also went to #1, playing to an audience of 4.2 Billion, while The Hills landed at #2 and hit an audience of 3.69 Billion. Cumulatively, the audience exceeds 14.6 Billion-plus for songs from Beauty Behind The Madness.

Fans, critics, and the industry at large have recognized this inimitable talent. He took home two GRAMMY Awards® [ Best Urban Contemporary Album for Beauty Behind The Madness and Best R&B Performance for Earned It (Fifty Shades of Grey) ] out of seven nominations. He won eight Billboard Music Awards including Top 100 Artist, Top R&B Artist, Top R&B Album for Beauty Behind The Madness, Top R&B Song for The Hills, Top Song Sales, Top Radio Songs, Top Streaming Songs, and Top Streaming Song (Audio) for The Hills. Earned It (Fifty Shades of Grey) even garnered THE WEEKND his first ever Academy Award® nomination in the category of Best Original Song.

„The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement. He notes the absurdity in taking a "kids' show" award for "Can't Feel My Face," in which he was "talkin' 'bout a face numbin' off a bag of blow." The track actually lost to Adele's "Hello," but it clearly, somewhat comically, reached an unintended demographic. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He sings of being a "Starboy" with access to a fleet of sports cars, but he's a "motherfuckin' starboy," one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life -- from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and "Can't Feel My Face" producers Max Martin and Ali Payami (four) -- the dark moments of vulnerability are pitch black. Lines like "I switch up my cup, I kill any pain" could have come from Tesfaye's mixtape debut, yet there are new levels of torment. In "Ordinary Life," he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. It's followed with "Nothing Without You," a ballad of toxic dysfunction. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's not all dread and depravity. There's some sense of joy in a one-night stand, and an echo of "Say Say Say" Michael Jackson, on the Luomo-ish house track "Rockin'." Contrition is shown in the slick retro-modern disco-funk of "A Lonely Night." Ironically enough, in the aching "True Colors," Tesfaye sounds a little insecure about a lover's past. The album's lighter, comparatively sweeter parts -- the Tears for Fears-sampling/Romantics-referencing "Secrets" and the breezy and only slightly devilish "I Feel It Coming" among them -- are all welcome highlights. At 18 tracks, the album is a "contracted edition" playlist toolkit. The songwriting credits list just under 40 composers, and the productions -- the majority of which involve Doc McKinney and/or Cirkut, low-lighted by maneater dance-punk dud "False Alarm" -- are roughly as variable in style as they are in quality. When pared down to its ten best songs, Starboy sounds like Tesfaye's most accomplished work.“ (Andy Kellman, AMG)
________________________________________________________________________________

Artist : The Weeknd
Album : Starboy
Year: 21.03.2017
Genre: R&B
Composer: Various
Quality : Flac HRA 24bits/44.1kHz
Label: Republic
Source : highresaudio
Size : 797mb

Tracklist:

01 Starboy
02 Party Monster
03 False Alarm
04 Reminder
05 Rockin’
06 Secrets
07 True Colors
08 Stargirl Interlude
09 Sidewalks
10 Six Feet Under
11 Love To Lay
12 A Lonely Night
13 Attention
14 Ordinary Life
15 Nothing Without You
16 All I Know
17 Die For You
18 I Feel It Coming

Download Link:***Hidden content cannot be quoted.***

Password:***Hidden content cannot be quoted.***
Click to expand...

thank you

platinumpopdiva · Apr 3, 2020

thank you!

Skye · Apr 7, 2020

Danielo007 said: ↑

Info for Starboy

Third studio album from the Canadian artist. Featuring the singles 'Starboy', 'I Feel It Coming' and 'Party Monster', this release debuted in the UK Albums Chart at #5.

The Weeknd s last album, 2015 s Beauty Behind The Madness recently received an RIAA triple-platinum certification for cumulative sales in excess of 3 million. Off one album, he received 16 RIAA certifications from tracks alone with The Hills [7x-platinum], Can t Feel My Face [5x-platinum], Often [2x-platinum], In The Night [platinum], and Acquainted [platinum]. Upon its debut, the record held #1 on the Billboard Top 200 for three consecutive weeks. Throughout this incredible journey, THE WEEKND became the First Male to Simultaneously Top Billboard s Hot 100, Top 200, and Artist 100, the First Artist to Ever Simultaneously Hold Top 3 Slots on Billboard s R&B Chart, and the First Artist Ever Recorded By Mediabase to Cross 300 Million in Audience Within One Week.

The album proved ubiquitous at radio. Can t Feel My Face peaked at #1 on Top 40, reaching an audience of 4.19 Billion. Earned It (Fifty Shades of Grey) also went to #1, playing to an audience of 4.2 Billion, while The Hills landed at #2 and hit an audience of 3.69 Billion. Cumulatively, the audience exceeds 14.6 Billion-plus for songs from Beauty Behind The Madness.

Fans, critics, and the industry at large have recognized this inimitable talent. He took home two GRAMMY Awards® [ Best Urban Contemporary Album for Beauty Behind The Madness and Best R&B Performance for Earned It (Fifty Shades of Grey) ] out of seven nominations. He won eight Billboard Music Awards including Top 100 Artist, Top R&B Artist, Top R&B Album for Beauty Behind The Madness, Top R&B Song for The Hills, Top Song Sales, Top Radio Songs, Top Streaming Songs, and Top Streaming Song (Audio) for The Hills. Earned It (Fifty Shades of Grey) even garnered THE WEEKND his first ever Academy Award® nomination in the category of Best Original Song.

„The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement. He notes the absurdity in taking a "kids' show" award for "Can't Feel My Face," in which he was "talkin' 'bout a face numbin' off a bag of blow." The track actually lost to Adele's "Hello," but it clearly, somewhat comically, reached an unintended demographic. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He sings of being a "Starboy" with access to a fleet of sports cars, but he's a "motherfuckin' starboy," one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life -- from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and "Can't Feel My Face" producers Max Martin and Ali Payami (four) -- the dark moments of vulnerability are pitch black. Lines like "I switch up my cup, I kill any pain" could have come from Tesfaye's mixtape debut, yet there are new levels of torment. In "Ordinary Life," he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. It's followed with "Nothing Without You," a ballad of toxic dysfunction. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's not all dread and depravity. There's some sense of joy in a one-night stand, and an echo of "Say Say Say" Michael Jackson, on the Luomo-ish house track "Rockin'." Contrition is shown in the slick retro-modern disco-funk of "A Lonely Night." Ironically enough, in the aching "True Colors," Tesfaye sounds a little insecure about a lover's past. The album's lighter, comparatively sweeter parts -- the Tears for Fears-sampling/Romantics-referencing "Secrets" and the breezy and only slightly devilish "I Feel It Coming" among them -- are all welcome highlights. At 18 tracks, the album is a "contracted edition" playlist toolkit. The songwriting credits list just under 40 composers, and the productions -- the majority of which involve Doc McKinney and/or Cirkut, low-lighted by maneater dance-punk dud "False Alarm" -- are roughly as variable in style as they are in quality. When pared down to its ten best songs, Starboy sounds like Tesfaye's most accomplished work.“ (Andy Kellman, AMG)
________________________________________________________________________________

Artist : The Weeknd
Album : Starboy
Year: 21.03.2017
Genre: R&B
Composer: Various
Quality : Flac HRA 24bits/44.1kHz
Label: Republic
Source : highresaudio
Size : 797mb

Tracklist:

01 Starboy
02 Party Monster
03 False Alarm
04 Reminder
05 Rockin’
06 Secrets
07 True Colors
08 Stargirl Interlude
09 Sidewalks
10 Six Feet Under
11 Love To Lay
12 A Lonely Night
13 Attention
14 Ordinary Life
15 Nothing Without You
16 All I Know
17 Die For You
18 I Feel It Coming

Download Link:***Hidden content cannot be quoted.***

Password:***Hidden content cannot be quoted.***
Click to expand...

Thank u

grandelatte · Apr 8, 2020

Once again delivering the best things in life! Thanks.

Edum96 · Apr 10, 2020

Danielo007 said: ↑

Info for Starboy

Third studio album from the Canadian artist. Featuring the singles 'Starboy', 'I Feel It Coming' and 'Party Monster', this release debuted in the UK Albums Chart at #5.

The Weeknd s last album, 2015 s Beauty Behind The Madness recently received an RIAA triple-platinum certification for cumulative sales in excess of 3 million. Off one album, he received 16 RIAA certifications from tracks alone with The Hills [7x-platinum], Can t Feel My Face [5x-platinum], Often [2x-platinum], In The Night [platinum], and Acquainted [platinum]. Upon its debut, the record held #1 on the Billboard Top 200 for three consecutive weeks. Throughout this incredible journey, THE WEEKND became the First Male to Simultaneously Top Billboard s Hot 100, Top 200, and Artist 100, the First Artist to Ever Simultaneously Hold Top 3 Slots on Billboard s R&B Chart, and the First Artist Ever Recorded By Mediabase to Cross 300 Million in Audience Within One Week.

The album proved ubiquitous at radio. Can t Feel My Face peaked at #1 on Top 40, reaching an audience of 4.19 Billion. Earned It (Fifty Shades of Grey) also went to #1, playing to an audience of 4.2 Billion, while The Hills landed at #2 and hit an audience of 3.69 Billion. Cumulatively, the audience exceeds 14.6 Billion-plus for songs from Beauty Behind The Madness.

Fans, critics, and the industry at large have recognized this inimitable talent. He took home two GRAMMY Awards® [ Best Urban Contemporary Album for Beauty Behind The Madness and Best R&B Performance for Earned It (Fifty Shades of Grey) ] out of seven nominations. He won eight Billboard Music Awards including Top 100 Artist, Top R&B Artist, Top R&B Album for Beauty Behind The Madness, Top R&B Song for The Hills, Top Song Sales, Top Radio Songs, Top Streaming Songs, and Top Streaming Song (Audio) for The Hills. Earned It (Fifty Shades of Grey) even garnered THE WEEKND his first ever Academy Award® nomination in the category of Best Original Song.

„The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement. He notes the absurdity in taking a "kids' show" award for "Can't Feel My Face," in which he was "talkin' 'bout a face numbin' off a bag of blow." The track actually lost to Adele's "Hello," but it clearly, somewhat comically, reached an unintended demographic. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He sings of being a "Starboy" with access to a fleet of sports cars, but he's a "motherfuckin' starboy," one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life -- from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and "Can't Feel My Face" producers Max Martin and Ali Payami (four) -- the dark moments of vulnerability are pitch black. Lines like "I switch up my cup, I kill any pain" could have come from Tesfaye's mixtape debut, yet there are new levels of torment. In "Ordinary Life," he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. It's followed with "Nothing Without You," a ballad of toxic dysfunction. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's not all dread and depravity. There's some sense of joy in a one-night stand, and an echo of "Say Say Say" Michael Jackson, on the Luomo-ish house track "Rockin'." Contrition is shown in the slick retro-modern disco-funk of "A Lonely Night." Ironically enough, in the aching "True Colors," Tesfaye sounds a little insecure about a lover's past. The album's lighter, comparatively sweeter parts -- the Tears for Fears-sampling/Romantics-referencing "Secrets" and the breezy and only slightly devilish "I Feel It Coming" among them -- are all welcome highlights. At 18 tracks, the album is a "contracted edition" playlist toolkit. The songwriting credits list just under 40 composers, and the productions -- the majority of which involve Doc McKinney and/or Cirkut, low-lighted by maneater dance-punk dud "False Alarm" -- are roughly as variable in style as they are in quality. When pared down to its ten best songs, Starboy sounds like Tesfaye's most accomplished work.“ (Andy Kellman, AMG)
________________________________________________________________________________

Artist : The Weeknd
Album : Starboy
Year: 21.03.2017
Genre: R&B
Composer: Various
Quality : Flac HRA 24bits/44.1kHz
Label: Republic
Source : highresaudio
Size : 797mb

Tracklist:

01 Starboy
02 Party Monster
03 False Alarm
04 Reminder
05 Rockin’
06 Secrets
07 True Colors
08 Stargirl Interlude
09 Sidewalks
10 Six Feet Under
11 Love To Lay
12 A Lonely Night
13 Attention
14 Ordinary Life
15 Nothing Without You
16 All I Know
17 Die For You
18 I Feel It Coming

Download Link:***Hidden content cannot be quoted.***

Password:***Hidden content cannot be quoted.***
Click to expand...

Thank you

yuyiju2 · Apr 10, 2020

Thankkkss

domciok13 · Apr 15, 2020

Danielo007 said: ↑

Info for Starboy

Third studio album from the Canadian artist. Featuring the singles 'Starboy', 'I Feel It Coming' and 'Party Monster', this release debuted in the UK Albums Chart at #5.

The Weeknd s last album, 2015 s Beauty Behind The Madness recently received an RIAA triple-platinum certification for cumulative sales in excess of 3 million. Off one album, he received 16 RIAA certifications from tracks alone with The Hills [7x-platinum], Can t Feel My Face [5x-platinum], Often [2x-platinum], In The Night [platinum], and Acquainted [platinum]. Upon its debut, the record held #1 on the Billboard Top 200 for three consecutive weeks. Throughout this incredible journey, THE WEEKND became the First Male to Simultaneously Top Billboard s Hot 100, Top 200, and Artist 100, the First Artist to Ever Simultaneously Hold Top 3 Slots on Billboard s R&B Chart, and the First Artist Ever Recorded By Mediabase to Cross 300 Million in Audience Within One Week.

The album proved ubiquitous at radio. Can t Feel My Face peaked at #1 on Top 40, reaching an audience of 4.19 Billion. Earned It (Fifty Shades of Grey) also went to #1, playing to an audience of 4.2 Billion, while The Hills landed at #2 and hit an audience of 3.69 Billion. Cumulatively, the audience exceeds 14.6 Billion-plus for songs from Beauty Behind The Madness.

Fans, critics, and the industry at large have recognized this inimitable talent. He took home two GRAMMY Awards® [ Best Urban Contemporary Album for Beauty Behind The Madness and Best R&B Performance for Earned It (Fifty Shades of Grey) ] out of seven nominations. He won eight Billboard Music Awards including Top 100 Artist, Top R&B Artist, Top R&B Album for Beauty Behind The Madness, Top R&B Song for The Hills, Top Song Sales, Top Radio Songs, Top Streaming Songs, and Top Streaming Song (Audio) for The Hills. Earned It (Fifty Shades of Grey) even garnered THE WEEKND his first ever Academy Award® nomination in the category of Best Original Song.

„The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement. He notes the absurdity in taking a "kids' show" award for "Can't Feel My Face," in which he was "talkin' 'bout a face numbin' off a bag of blow." The track actually lost to Adele's "Hello," but it clearly, somewhat comically, reached an unintended demographic. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He sings of being a "Starboy" with access to a fleet of sports cars, but he's a "motherfuckin' starboy," one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life -- from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and "Can't Feel My Face" producers Max Martin and Ali Payami (four) -- the dark moments of vulnerability are pitch black. Lines like "I switch up my cup, I kill any pain" could have come from Tesfaye's mixtape debut, yet there are new levels of torment. In "Ordinary Life," he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. It's followed with "Nothing Without You," a ballad of toxic dysfunction. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's not all dread and depravity. There's some sense of joy in a one-night stand, and an echo of "Say Say Say" Michael Jackson, on the Luomo-ish house track "Rockin'." Contrition is shown in the slick retro-modern disco-funk of "A Lonely Night." Ironically enough, in the aching "True Colors," Tesfaye sounds a little insecure about a lover's past. The album's lighter, comparatively sweeter parts -- the Tears for Fears-sampling/Romantics-referencing "Secrets" and the breezy and only slightly devilish "I Feel It Coming" among them -- are all welcome highlights. At 18 tracks, the album is a "contracted edition" playlist toolkit. The songwriting credits list just under 40 composers, and the productions -- the majority of which involve Doc McKinney and/or Cirkut, low-lighted by maneater dance-punk dud "False Alarm" -- are roughly as variable in style as they are in quality. When pared down to its ten best songs, Starboy sounds like Tesfaye's most accomplished work.“ (Andy Kellman, AMG)
________________________________________________________________________________

Artist : The Weeknd
Album : Starboy
Year: 21.03.2017
Genre: R&B
Composer: Various
Quality : Flac HRA 24bits/44.1kHz
Label: Republic
Source : highresaudio
Size : 797mb

Tracklist:

01 Starboy
02 Party Monster
03 False Alarm
04 Reminder
05 Rockin’
06 Secrets
07 True Colors
08 Stargirl Interlude
09 Sidewalks
10 Six Feet Under
11 Love To Lay
12 A Lonely Night
13 Attention
14 Ordinary Life
15 Nothing Without You
16 All I Know
17 Die For You
18 I Feel It Coming

Download Link:***Hidden content cannot be quoted.***

Password:***Hidden content cannot be quoted.***
Click to expand...

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