FLAC The Beatles - Let It Be (Super Deluxe Remastered) [HIGHRESAUDIO HRA 24bits/96.0kHz]

Info for Let It Be (Super Deluxe Remastered)

The "Let It Be" album has been newly mixed by producer Giles Martin and engineer Sam Okell. All the new "Let It Be" releases feature the new stereo mix of the album as guided by the original "reproduced for disc" version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes.

Making The Album:

When The Beatles arrived at Twickenham in January 1969, their self-titled album (AKA ‘The White Album’) was still topping charts around the world following its November 1968 release. They had an ambitious plan in mind for a project that would include a stage performance for a “TV spectacular” and a live album. Michael Lindsay-Hogg was hired to direct the concert and document the rehearsals with unfettered “fly-on-the-wall” filming and mono audio recording on two camera-linked Nagra reel-to-reel tape machines. Ethan A. Russell was brought in for exclusive all-access photography. Beatles producer George Martin and engineer Glyn Johns supervised the sound. Johns remembers, “Paul told me he had this idea to do a live concert and he wanted me to engineer it, because I had a reasonably good track record of making live albums.” Impressed by the band’s day-to-day progress with their slate of new songs, Martin later recalled, “It was a great idea, which I thought was well worth working on. A live album of new material. Most people who did a live album would be rehashing old stuff.” After 10 days on the soundstage, The Beatles and the film crew later moved to the band’s more intimate and cosy Apple Studio. There, Johns manned the controls of borrowed equipment from The Beatles’ old stomping ground, Abbey Road Studios, to record on eight-track tape. Billy Preston was invited to play keyboards with the band at Apple, lifting the sessions with his boundless talent and buoyant bonhomie.

In April 1969, The Beatles rush-released their worldwide number one single “Get Back”/“Don’t Let Me Down”. Promoted as “The Beatles as nature intended” and “as live as can be, in this electronic age,” both sides of the disc were credited to “The Beatles with Billy Preston”. “The greatest surprise was when the record came out,” Preston remembered in 2002. “They didn’t tell me they were going to put my name on it! The guys were really kind to me.” The “Let It Be” single produced by George Martin, released March 6, 1970, is different from the album version “reproduced” by Phil Spector. Exemplifying Spector’s signature Wall of Sound production style on the Let It Be album is his orchestral overdub on “The Long and Winding Road”, which became The Beatles’ 20th U.S. number one single.

Directed by Peter Jackson (“The Lord of the Rings” trilogy, “They Shall Not Grow Old”), “The Beatles: Get Back” takes audiences back in time to the band’s intimate recording sessions during a pivotal moment in music history. Because of the wealth of tremendous footage Jackson has reviewed, which he has spent the past three years restoring and editing, “The Beatles: Get Back” will be presented as three separate episodes. Each episode is approximately two hours in length, rolling out over three days, November 25, 26 and 27, 2021, exclusively on Disney+.

The documentary series showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, compiled from over 60 hours of unseen footage shot in January 1969 (by Michael Lindsay-Hogg) and more than 150 hours of unheard audio, all of which has been brilliantly restored. Jackson is the only person in 50 years to have been given access to these private film archives. “The Beatles: Get Back” is the story of John Lennon, Paul McCartney, George Harrison and Ringo Starr as they plan their first live show in over two years, capturing the writing and rehearsing of 14 new songs, originally intended for release on an accompanying live album. The documentary features – for the first time in its entirety – The Beatles’ last live performance as a group, the unforgettable rooftop concert on London’s Savile Row, as well as other songs and classic compositions featured on the band’s final two albums, Abbey Road and Let It Be. The music in the series is also newly mixed by Giles Martin (“Rocketman”) and Sam Okell (“Yesterday”).

Ahead of the series’ debut, Apple Corps Ltd./Callaway Arts & Entertainment will release The Beatles: Get Back book worldwide on October 12. Available in English and nine international language editions, The Beatles: Get Back is the first official standalone book to be released by The Beatles since international bestseller The Beatles Anthology. Beautifully designed and produced, the 240-page hardcover complements the “Get Back” documentary series and Let It Be Special Edition with transcriptions of many of The Beatles’ recorded conversations from the three weeks of rehearsals and sessions and hundreds of exclusive, never-before-published images, including photos by Ethan A. Russell and Linda McCartney. The Beatles: Get Back begins with a foreword written by Peter Jackson and an introduction by Hanif Kureishi. The book’s texts are edited by John Harris.

The Beatles

Digitally remastered
_________________________________________________________________________________________________

Artist: The Beatles
Album: Let It Be (Super Deluxe Remastered)
Year: 2021
Genre: Rock
Composer: Various
Quality: Flac HRA 24bits/44.1kHz
Label: UMC (Universal Music Catalogue)
Source: Highresaudio
HRA-Release: 15.10.2021
Size: 3,45gb

Tracklist

• 01 Two Of Us (2021 Mix)
• 02 Dig A Pony (2021 Mix)
• 03 Across The Universe (2021 Mix)
• 04 I Me Mine (2021 Mix)
• 05 Dig It (2021 Mix)
• 06 Let It Be (2021 Mix)
• 07 Maggie Mae (2021 Mix)
• 08 I've Got A Feeling (2021 Mix)
• 09 One After 909 (2021 Mix)
• 10 The Long And Winding Road (2021 Mix)
• 11 For You Blue (2021 Mix)
• 12 Get Back (2021 Mix)
• 13 Morning Camera / Two Of Us (Take 4)
• 14 Maggie Mae / Fancy My Chances With You (Mono)
• 15 Can You Dig It?
• 16 I Don't Know Why I'm Moaning (Speech / Mono)
• 17 For You Blue (Take 4)
• 18 Let It Be / Please Please Me / Let It Be (Take 10)
• 19 I’ve Got A Feeling (Take 10)
• 20 Dig A Pony (Take 14)
• 21 Get Back (Take 19)
• 22 Like Making An Album? (Speech)
• 23 One After 909 (Take 3)
• 24 Don’t Let Me Down (First Rooftop Performance)
• 25 The Long And Winding Road (Take 19)
• 26 Wake Up Little Susie / I Me Mine (Take 11)
• 27 On The Day Shift Now / All Things Must Pass (Rehearsals / Mono)
• 28 Concentrate On The Sound (Mono)
• 29 Gimme Some Truth (Rehearsal / Mono)
• 30 I Me Mine (Rehearsal / Mono)
• 31 She Came In Through The Bathroom Window (Rehearsal)
• 32 Polythene Pam (Rehearsal / Mono)
• 33 Octopus’s Garden (Rehearsal / Mono)
• 34 Oh! Darling (Jam)
• 35 Get Back (Take 8)
• 36 The Walk (Jam)
• 37 Without A Song (Jam)
• 38 Something (Rehearsal / Mono)
• 39 Let It Be (Take 28)
• 40 One After 909 (1969 Glyn Johns Mix)
• 41 Medley: I’m Ready (aka Rocker) / Save The Last Dance For Me / Don’t Let Me Down (1969 Glyn Johns Mix)
• 42 Don't Let Me Down (1969 Glyn Johns Mix)
• 43 Dig A Pony (1969 Glyn Johns Mix)
• 44 I've Got A Feeling (1969 Glyn Johns Mix)
• 45 Get Back (1969 Glyn Johns Mix)
• 46 For You Blue (1969 Glyn Johns Mix)
• 47 Teddy Boy (1969 Glyn Johns Mix)
• 48 Two Of Us (1969 Glyn Johns Mix)
• 49 Maggie Mae (1969 Glyn Johns Mix)
• 50 Dig It (1969 Glyn Johns Mix)
• 51 Let It Be (1969 Glyn Johns Mix)
• 52 The Long And Winding Road (1969 Glyn Johns Mix)
• 53 Get Back (Reprise / 1969 Glyn Johns Mix)
• 54 Across The Universe (1970 Glyn Johns Mix)
• 55 I Me Mine (1970 Glyn Johns Mix)
• 56 Don’t Let Me Down (Single Version / 2021 Mix)
• 57 Let It Be (Single Version / 2021 Mix)

Total Runtime: 02h 44m 47s

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